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Uula

Kärkkäisen kampanjatuotteet – kaikki entistäkin edullisemmin! Kärkkäiseltä löydät aina mielettömiä tarjouksia! Sesongeittain vaihtuvien kampanjoiden avulla teet ällistyttävän hyviä ostoksia huippuhuokeaan hintaan. Siis valmiiksi edulliset tuotteet vieläkin halvemmalla! Kampanjamme keskittyvät tarjoamaan aina jokaiselle jotakin, näin kaikki voivat löytää sopivia tuotteita suosituimmista tuotekategoristamme. Älä epäröi vaan tartu tilaisuuteen nyt – parhaat tarjoukset viedään käsistä heti! Seuraa kampanjatuotteita sekä tarjouksia näköislehdessä ja somessa Kärkkäisen kampanjatuotteet vaihtuvat kausittain. Kärkkäisen Sikapäivät, joulusesongit, talviale ja kesäkampanjat – aina hyvät tarjoukset sekä entistäkin edullisemmat hinnat houkuttelevat ostoksille niin tavarataloissa kuin netissäkin. Kärkkäisellä tapahtuu aina! Jollet pääse paikan päälle Kärkkäisen hauskoihin tempauksiin, seuraa meitä somessa Kärkkäisen Facebook tai instagram-tileillä. Muista myös Kärkkäisen tarjouslehti, jota voit selata paperisena sekä verkossa. Somessa saat ensimmäisenä tiedon tarjouksista ja muista ale-tuotteista sekä pääset käsiksi huippuarvontoihimme! Kärkkäisen mielettömissä arpajaisissa on aina hyvät palkinnot. Kärkkäisen Sikapäivät ovat legendaariset Syksyisin ja keväisin Kärkkäisen tavaratalot ja verkkokauppa pursuaa mielettömiä tarjouksia Kärkkäisen Sikapäivien muodossa. Varastontyhjennysten myötä kauden tuotteet löytävät perille uuteen kotiin sikamaisen halpaan hintaan. Sikapäivät saavat aina aikaan ryntäyksen niin netissä kuin Kärkkäisellä paikan päälläkin – parhaat tuotteet myydään loppuun hetkessä! Kärkkäisen kampanjat keskittyvät myymään jokaiselle jotakin. Näin kaikki voivat löytää kampanjatarjoustemme joukosta sopivat tuotteet itselleen ja perheenjäsenilleen. Kampanjatuotteita löytyy laidasta laitaan: työkoneita, lasten leluja, urheiluvaatteita, merkkivaatteita, sisutustavaraa -lista on loputon! Tapahtumia ja tarjouksia - Kärkkäisellä tapahtuu aina! Kampanjoiden lisäksi Kärkkäiseltä löytyy aina mielettömiä tarjouksia sekä päiväkohtaisia tapahtumia tavarataloissamme. Vierailijat, tuote-esittelijät, urheilutapahtumat, joulun avaukset ynnä muut tempaukset tuovat Kärkkäisen tiloihin kuhinaa, merkittäviä esiintyjiä sekä tottakai runsaasti katsojia. Ennen joulusesonkia hinnat himmenevät täysin pimeiksi Black Weekendin muodossa. Tämä käynnistää todellisen hulinan – joulun aikaan tarjouksia, uutuustuotteita sekä Kärkkäisen tapahtumia kannattaa seurata päivittäin. Joulun jälkeen ale-tuotteiden määrä päivittyy jälleen, silloin komeroita voi täydentää kaikella sillä, mitä pukki on unohtanut tuoda! Vaihtuvat tarjouksemme, huippuedulliset kampanjatuotteet sekä Kärkkäisen huimat ale-valikoimat säästävät tuntuvasti kukkaroasi! Älä jää paitsi mistään! Tutustu ja tilaa nämä ällistyttävän huokeahintaiset tuotteet nyt – huomenna voi olla jo liian myöhäistä!

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Outlet Products

Uula Into A base interior paint

Into Semi-transparent interior paint is suitable for painting interior walls and ceilings with panel, wood, board and stone surfaces in dry interiors. The paint is suitable for painting cardboard and brick and masonry surfaces. The water-based interior paint is easy to brush on, stays well with a brush or roller, smooths out beautifully, covers well and dries quickly. Completely emission-free paint is a safe choice for painting interior surfaces. Interior paint is pleasant to paint with, because it is odorless already when painting. The paint is also an excellent alternative to lime paint due to its durability, quick surface treatment and easy repainting. Coverage: 7m2/liter, depending on the roughness and porosity of the substrate. Drying time : Dry to the touch after about 1/2 hour. Can be painted over after about 2 hours. Thinner: Water Color shades: Can be tinted to the covering shades of the most common color charts. Please note, however, that there may be differences in shades due to the gloss level and type of paint as well as tinting pastes, tinting machines and tinting. A base Semi-opaque Note product image for reference

Uula 375ml linseed oil putty

Linseed oil putty 682 is a glass master grade high quality putty made from pure linseed oil and the finest grades of chalk. Used in glazing, repairing putty and leveling primed wood both indoors and outdoors. Can also be used to fill and smooth nail holes. Linseed oil putty 682 binds tightly and protects glass and wood. Instructions for use according to the manufacturer's instructions Preparation: The surfaces must be clean and dry before applying the product. porous surfaces such as untreated wood must be treated before use. Operating temperature: Can be used at temperatures between +5 °C and +40 °C. Installation: Linseed oil putty 682 is applied with a knife. When plastering the interior, good ventilation must be ensured in order to avoid the formation of wrinkles on the plaster surface (set windows raised from the floor level and separated from each other) when the window is placed outside. When plastering outdoor spaces, the putty must be protected from heavy rain until the surface has hardened. Puttying must not be done in the rain, but also not in direct sunlight. Take care of good ventilation. The average temperature during curing must not fall below +5oC. Drying time: A film forms on the putty after about a week and is completely hardened after a year. Painting: Linseed oil putty can be painted. With pure linseed oil paint, the putty can be painted - carefully - right after putting. The putty can be painted with alkyd oil, plastic alkyd or acrylic plastic paint no earlier than 2 to 4 weeks after the plastering. Paint 1-2 mm on top of the glass. Cleaning: Fresh putty is removed with paper, turpentine or odorless benzine The putty is thixotropic and easy to apply.

Uula colorless oil sound

Uula Öljkuulto is suitable for the acoustic painting of new or old wood surfaces that have not been treated or previously treated with non-film-forming wood preservatives in dry and damp rooms. Acoustic treatment is suitable for doors, window frames, furniture and floors in dry interiors, as well as wall surfaces and furniture in covered outdoor spaces. Wear-resistant Oil Kuulto leaves the wood's own patterns beautifully exposed and protects the treated surface from moisture and dirt. Also suitable as a binder for lasing, etching and decorative colors and on top of linseed oil and lacquer paints to dim the gloss level. Coverage: Planing surface 12-15m2/liter. Saw surface 8-10m2/liter. Drying time: Touch dry after 5-8 hours. Can be painted over after about a day. Thinner: Uula General Thinner Shades: Colorless. Can be tinted to the tones of the most common audio color charts. Please note, however, that due to the gloss level of the paint, the wood's own shade or previous treatment, as well as tinting pastes, tinting machines and tinting methods, there may be differences in the shades. Technical information: Made from boiled linseed oil (vern) and natural resins. VOC emissions below 400g/liter

Uuula Iron oxide black 1kg color powder

Iron oxide black is an opaque and very light-resistant pigment. Pigments, i.e. color powders, are suitable for tinting and manufacturing paint, decorative and fine-art paintings, such as marbling, etching, patination, and coloring concrete, lime mortar and lime paint. A binder is added to the pigments, which binds the paint and keeps it on the surface to be painted. Pigments can also be used to color plaster, paper and cardboard. The final result of the color depends on the amount of pigment used and the binder used for it. Iron oxide pigments are suitable for tinting concrete and mortar due to their good coloring. SUITABILITY OF IRON OXIDE BLACK PIGMENT Lightfastness: Good Water-based binders: Good Oil-based binders: Good Lime and cement: Good The pigment is non-toxic. THE USE OF PIGMENTS FOR COLORING THE PAINT When tinting water-based paints, the pigment should first be mixed with a small amount of water, resulting in a so-called toning paste. The pigment is mixed with water so that the paste becomes smooth and quite thick. The finished paste is added to the paint until it is the desired shade. The proportion of pigment should not be more than 10% in the finished paint, because too much addition of pigment weakens the paint's ability to stick to its substrate and the paint may stain even when dry. So you cannot get very dark shades from white paint. The binder content of different paints varies, so the tinting is always specific to the paint. In tinting oil paints, the principle is the same as in tinting water-based paints, but the pigment is first mixed with either turpentine or boiled linseed oil (varnish). Use of pigments to color concrete and mortar The pigment is added as a powder to the dry substance. In concrete coloring, max. 6-8% of the amount of dry matter. General instruction OIL PAINT MADE BY YOURSELF FROM PIGMENTS FOR INTERIOR USE (approx. 1 liter) Self-made oil paint is suitable for restoring furniture and making oil glaze. By changing the amount of pigments, the coverage of the paint can be affected. 5 dl boiled linseed oil 1 dl general thinner about 500-700g of pigment, depending on the color 0.5 dl of serotonin The ingredients are measured in e.g. a three-liter container and mixed vigorously with a paint mixer attached to the drill for approx. 15 – 60 min, depending on the roughness of the pigments. Finally, the paint can be filtered, so that the insoluble lumps of pigment are left out. If the paint feels too thin, you can thicken it by adding chalk flour as needed. Different pigments react differently; some need more oil to dissolve than others. In general, heavy pigments dissolve in a smaller amount of oil than light dusting pigments. When making small batches, the pigments dissolve in a smaller amount of oil than light dusting pigments. Rubbing the pigment Rubbing the paint pigment is important in production. The pigments can be finely rubbed with the oil with a pigment grinder or a palette knife on top of the glass. At first, the paint rustles against the substrate. The paint is ready when the mixture is smooth. Rub only a little paint at a time. Add more oil to the paste and the paint is ready. The paint is applied in thin layers 2-5 times. The surface is allowed to dry between layers for 2-5 days.

Uula Keltaokra 1kg värijauhe

Yellow okra is a natural material that is made from yellow clay. The variation in iron content affects the color of Yellow Okra. Yellow okra has good light and weather resistance and is well suited for the production of oil paints. It is suitable for use in all painting techniques and for mixing with oil, lime and glue paints. Yellow ocher is also used for coloring plaster, cement, mortar, paper, cardboard and fibers. The final result of the color depends on the amount of pigment used and the binder used for it. Ground color pigments The earth colors found in pigments, such as ochre, terra and umber, are natural pigments that are very suitable for use in oil paints due to their light fastness and color strength. Umbras are iron oxides that are rich in manganese. The pigment is durable and has excellent light resistance. They can be combined with other pigments and are suitable for use with all binders. Iron oxide pigments are suitable for tinting concrete and mortar due to their good coloring. Ground color production is environmentally friendly. With genuine ground color pigments, beautiful and soft color shades can be created. SUITABILITY OF YELLOW OKRA Lightfastness: Good Water-based binders: Good Oil-based binders: Good Lime or cement: Good THE USE OF PIGMENTS FOR COLORING THE PAINT When tinting water-based paints, the pigment should first be mixed with a small amount of water, resulting in a so-called toning paste. The pigment is mixed with water so that the paste becomes smooth and quite thick. The finished paste is added to the paint until it is the desired shade. The proportion of pigment should not be more than 10% in the finished paint, because too much addition of pigment weakens the paint's ability to stick to its substrate and the paint may stain even when dry. So you cannot get very dark shades from white paint. The binder content of different paints varies, so the tinting is always specific to the paint. In tinting oil paints, the principle is the same as in tinting water-based paints, but the pigment is first mixed with either turpentine or boiled linseed oil (in varnish). OIL PAINT MADE FROM PIGMENTS FOR INTERIOR USE YELLOW PAINT (approx. 1 liter) 5 dl boiled linseed oil 1 dl general thinner 700 g yellow okra 0.5 dl of serotonin The ingredients are measured in e.g. a three-liter container and mixed vigorously with a paint mixer attached to the drill for approx. 15 – 60 min, depending on the roughness of the pigments. Finally, the paint can be filtered, so that the insoluble lumps of pigment are left out. If the paint feels too thin, you can thicken it by adding chalk flour as needed. Different pigments react differently; some need more oil to dissolve than others. In general, heavy pigments dissolve in a smaller amount of oil than light dusting pigments. When making small batches, the pigments dissolve in a smaller amount of oil than light dusting pigments. In manufacturing, rubbing the paint pigment is important. The pigments can be finely rubbed with the oil with a pigment grinder or a palette knife on top of the glass. At first, the paint rustles against the substrate. The paint is ready when the mixture is smooth. Rub only a little paint at a time. Add more oil to the paste and the paint is ready. The paint is applied in thin layers 2-5 times. The surface is allowed to dry between layers for 2-5 days. Self-made oil paint is suitable for restoring furniture and making oil glaze. By changing the amount of pigments, the coverage of the paint can be affected.

Uula 1166 oil day ohenne

Thinner intended for thinning exterior paints made from boiled linseed oil (varnish, share 35%), and aromatic-free hydrocarbon solvent, share 65% For thinning Uula Linseed oil paint, Uula Petroleum oil paint and Uula Graphite paint H304 May be fatal if swallowed or enters airways. EUH 066 Repeated exposure may cause skin dryness or cracking.

Uula Titanium dioxide white 1kg color powder

Titanium dioxide is very covering and the pigment retains its whiteness well. It is particularly suitable for oil, lime and glue paints and can be mixed with other pigments. Titanium dioxide is suitable for coloring paints, plaster, paper, cardboard, etc. The final result of the color depends on the amount of pigment used and the binder used for it. It should be noted that the proportion of the pigment should not be more than 10% of the proportion of the binder used. The pigment is harmless to the user and the environment. Pigments Pigments, i.e. color powders, are suitable for tinting and manufacturing paint, decorative and fine-art paintings, such as marbling, etching, patination, and coloring concrete, lime mortar and lime paint. A binder is added to the pigments, which binds the paint and keeps it on the surface to be painted. Pigments can also be used to color plaster, paper and cardboard. The final result of the color depends on the amount of pigment used and the binder used for it. GROUND PIGMENTS The earth colors found in pigments, such as ochre, terra and umber, are natural pigments that are very suitable for use in oil paints due to their light fastness and color strength. Umbras are iron oxides that are rich in manganese. The pigment is durable and has excellent light resistance. Umbras are not toxic pigments. They can be combined with other pigments and are suitable for use with all binders. Iron oxide pigments are suitable for tinting concrete and mortar due to their good coloring. Beautiful and soft color shades are obtained with genuine ground color pigments. SUITABILITY OF TITANIUM DIOXIDE Lightfastness: Good Water-based binders: Good Oil-based binders: Good Lime and cement: Moderate USE OF PIGMENTS FOR COLORING PAINT When tinting water-based paints, the pigment should first be mixed with a small amount of water, resulting in a so-called toning paste. The pigment is mixed with water so that the paste becomes smooth and quite thick. The finished paste is added to the paint until it is the desired shade. The proportion of pigment should not be more than 10% in the finished paint, because too much addition of pigment weakens the paint's ability to stick to its substrate and the paint may stain even when dry. So you cannot get very dark shades from white paint. The binder content of different paints varies, so the tinting is always specific to the paint. In tinting oil paints, the principle is the same as in tinting water-based paints, but the pigment is first mixed with either turpentine or boiled linseed oil (in varnish). GENERAL INSTRUCTION OIL PAINT MADE BY YOURSELF FROM PIGMENTS FOR INTERIOR USE (approx. 1 liter) Self-made oil paint is suitable for restoring furniture and making oil glaze. By changing the amount of pigments, the coverage of the paint can be affected. White paint: 5 dl boiled linseed oil 1 dlyleiso thinner 1kg of titanium white 0.5 dlserotin The ingredients are measured in e.g. a three-liter container and mixed vigorously with a paint mixer attached to the drill for approx. 15 – 60 min, depending on the roughness of the pigments. Finally, the paint can be filtered, so that the insoluble lumps of pigment are left out. If the paint feels too thin, you can thicken it by adding more chalk flour as needed. Different pigments react differently; some need more oil to dissolve than others. In general, heavy pigments dissolve in a smaller amount of oil than light dusting pigments. When making small batches, the pigments dissolve in a smaller amount of oil than light dusting pigments. RUBBING THE PIGMENT Rubbing the paint pigment is important in production. The pigments can be finely rubbed with the oil with a pigment grinder or a palette knife on top of the glass. At first, the paint rustles against the substrate. The paint is ready when the mixture is smooth. Rub only a little paint at a time. Add more oil to the paste and the paint is ready. The paint is applied in thin layers 2-5 times. The surface is allowed to dry between layers for 2-5 days.

Uula A-base exterior primer

Uula Exterior Primer – For priming exterior wooden surfaces The exterior primer is a plastic-free and easy-to-use water-based paint for the pretreatment of exterior surfaces. The paint's environmental friendliness is based on renewable natural oils acting as binders. The product is breathable and odorless. Areas of use include sawn and planed wood surfaces, as well as log and durable wood surfaces outdoors. Recommended for use as a primer for Uula Linen Oil Paint, Uula Petroleum Oil Paint and Uula Talomaal. Efficiency: Planing area approx. 8-12m2/ l. Sawn area approx. 6-8m2/ l. Drying time: Touch dry after about ½ hour. Can be painted over after approx. 6 hours Tinting: For the covering tones of the most common color charts. Due to the gloss level and type of paint, as well as tinting pastes, tinting machines and tinting methods, there may be differences in shades. Thinner: Water Technical information Gloss level dull. Contains no VOCs. H412 Harmful to aquatic life, long-term adverse effects. H317 May cause an allergic skin reaction.

Uula Ilona colorless auditory paint

Ilona Kuultomaali is suitable for the acoustic painting of new and old untreated interior wood surfaces, as well as previously treated with acoustic paints that did not form a film. The product is suitable for log and panel surfaces, walls and ceilings, interior doors, window frames and furniture. The paint is not suitable for treating floors or waxed surfaces. The acoustic paint is odorless, easy to brush on, it smooths out beautifully and dries quickly. It leaves the grain / natural patterns of the wood beautifully exposed and gives the wood a durable and protective surface. Acoustic painting is an excellent alternative to waxing due to its good washing resistance and easy cleaning and further processing. Coverage: Sawn or porous surface approx. 6-10m2/l, planed or smooth surface approx. 12-15m2/l, depending on the roughness and porosity of the substrate. Drying time: Touch dry after approx. ½ hour, can be painted over after approx. 2 hours. Thinner: Water Shades: Colorless or can be tinted to the shades of the most common audio color charts. There may be differences in the shades due to the wood's own shade, the gloss level of the paint, previous treatments and tinting pastes, tinting machines and tinting. Technical information Plastic-free: The paint does not contain plastic binders. Renewable natural oils as a binder. Emission-free : Completely VOC-free. The paint does not contain harmful organic compounds.

Uula universal thinner

Aromatic free hydrocarbon solvent A less harmful alternative to white spirit and turpentine For thinning Uula's Door and window paint, Wood floor paint, Oil foam, Matt interior oil paint, oat colors, etc. and for thinning Linseed oil paint indoors For washing work equipment and removing various stains, e.g. pitch, tar, grease, etc. H304 May be fatal if swallowed or enters airways. EUH 066 Repeated exposure may cause skin dryness or cracking.

Uula Into A base white 0.9 l furniture paint

iNTO Furniture paint semi-matte is a water-based interior paint suitable for painting new or old unpainted or previously painted interior surfaces and furniture. Painting objects include wood, panel, chipboard and wood fiberboard surfaces, such as furniture, doors, mouldings, window frames, half panels, etc. The product is not suitable for painting floors. The easy-to-brush Into Furniture Paint holds well with a brush or roller, smooths beautifully, covers well and dries quickly. Completely emission-free paint is a safe choice for painting interior surfaces. The paint is also an excellent alternative to lime paint due to its durability, quick surface treatment and easy repainting. Coverage: About 7m2/l. Drying time: Touch dry after about ½ hour. Can be painted over after about 2 hours. Thinner: Water Color tones : Can be tinted to the covering tones of the most common color charts. Please note, however, that there may be differences in shades due to the gloss level and type of paint as well as tinting pastes, tinting machines and tinting. Plastic-free: The paint does not contain plastic binders. Renewable natural oils as a binder. Paint gloss unit: Furniture paint PH 18 gloss units (=semi-matt)

Uula white linseed oil paint

Traditional linseed oil paint smells like linseed oil and works properly with the wood structure. A surface painted with linseed oil paint allows moisture to escape through, so the wood is not damaged or rots under the paint. Uula Linseed oil paint is made from boiled linseed oil (verniss) and natural pigments according to a traditional recipe. Linseed oil paint has been used in Finland since the 18th century. At first, only churches and mansions as valuable buildings were painted with linseed oil paint, later also wooden town houses. In addition to facades, linseed oil paint has been used in interiors and furniture as well as doors, window frames and lining boards. Uula-Linseed oil paint is a safe natural product for the user, which has been proven good by years of experience. Applications include new and old wooden surfaces, such as exterior walls, doors, window frames and furniture. H412 Harmful to aquatic life, long-term adverse effects. H317 May cause an allergic skin reaction.

Uula 5kg linseed oil putty

Glass master putty 683 is a high-quality putty of the master glass class, made of pure linseed oil and the finest chalk qualities. Used in glazing, repairing putty and leveling primed wood both indoors and outdoors. Can also be used to fill and smooth nail holes. Glass master sealant 683 tightly binds and protects glass and wood. Instructions for use according to the manufacturer's instructions Preparation: The surfaces must be clean and dry before applying the product. porous surfaces such as untreated wood must be treated before use. Operating temperature: Can be used at temperatures between +5 °C and +40 °C. The lowest temperature of the day must not fall below 5 °C during curing. Installation: Glazier putty 683 is applied with a knife. When plastering the interior, you must take care of good ventilation (place the windows above the floor surface and separate from each other). This ensures that a thick film is formed as quickly as possible, which reduces the formation of wrinkles on the putty surface when the window is placed outside. When plastering outdoor spaces, the putty must be protected from heavy rain until a thick film has formed. If possible, puttying should always be done in dry weather conditions, but never in direct sunlight. Take care of good ventilation. Drying time: A film forms on the putty after about a week and is completely hardened after a year. Painting: Linseed oil putty must be painted. With pure linseed oil paint, the putty can be painted - carefully - right after putting. The putty can be painted with alkyd oil, plastic alkyd or acrylic plastic paint no earlier than 2 to 4 weeks after the plastering. Paint 1-2 mm on top of the glass. Cleaning: Fresh putty is removed with paper, turpentine or odorless benzine. The putty is thixotropic and easy to apply.

Mahonki outdoor paint by Uula Roslag

Traditional, breathable, audible tar paint containing tar and boiled linseed oil (varnish) for outdoor use. Surface treatment agent for acoustic treatment of exterior surfaces of wooden and log buildings. The transparent, breathable and plastic-free surface treatment agent leaves the grain of the wood beautifully visible and protects the wood surface naturally. Applications include new and old untreated wooden surfaces and old wooden surfaces treated with non-film-forming surface treatments (including old pressure-impregnated ones) in outdoor areas, such as log and board walls, wooden boats and piers. Efficiency : Planing area approx. 8-10m2/ l. Sawn area approx. 6-8m2/ l. Gloss level: semi-matt Roslag's Mahogany is tinted with Uulla tinting pastes made from genuine pigments No need to thin Color: 222 colorless H412 Harmful to aquatic life, long-term adverse effects. H315 Irritating to skin. H317 May cause an allergic skin reaction. EUH 066 Repeated exposure may cause skin dryness or cracking

Uula Brown Umbra 1kg color powder

Brown Umbra Pigment Pigments, i.e. color powders, are suitable for tinting and manufacturing paint, decorative and fine-art paintings, such as marbling, etching, patination, and coloring concrete, lime mortar and lime paint. A binder is added to the pigments, which binds the paint and keeps it on the surface to be painted. Pigments can also be used to color plaster, paper and cardboard. The final result of the color depends on the amount of pigment used and the binder used for it. The earth colors found in pigments, such as ochre, terra and umber, are natural pigments that are very suitable for use in oil paints due to their light fastness and color strength. Umbras are iron oxides that are rich in manganese. The pigment is durable and has excellent light resistance. Umbras are not toxic pigments. They can be combined with other pigments and are suitable for use with all binders. Iron oxide pigments are suitable for tinting concrete and mortar due to their good coloring. Beautiful and soft color shades are obtained with genuine ground color pigments. SUITABILITY OF BROWN UMBRA Lightfastness: Good Water-based binders: Good Oil-based binders: Good Lime and cement: Good THE USE OF PIGMENTS FOR COLORING THE PAINT When tinting water-based paints, the pigment should first be mixed with a small amount of water, resulting in a so-called toning paste. The pigment is mixed with water so that the paste becomes smooth and quite thick. The finished paste is added to the paint until it is the desired shade. The proportion of pigment should not be more than 10% in the finished paint, because too much addition of pigment weakens the paint's ability to stick to its substrate and the paint may stain even when dry. So you cannot get very dark shades from white paint. The binder content of different paints varies, so the tinting is always specific to the paint. In tinting oil paints, the principle is the same as in tinting water-based paints, but the pigment is first mixed with either turpentine or boiled linseed oil (in varnish). General instruction OIL PAINT MADE BY YOURSELF FROM PIGMENTS FOR INTERIOR USE (approx. 1 liter) Self-made oil paint is suitable for restoring furniture and making oil glaze. By changing the amount of pigments, the coverage of the paint can be affected. 5 dl boiled linseed oil 1 dl general thinner about 500-700g of pigment, depending on the color 0.5 dl of serotonin The ingredients are measured in e.g. a three-liter container and mixed vigorously with a paint mixer attached to the drill for approx. 15 – 60 min, depending on the roughness of the pigments. Finally, the paint can be filtered, so that the insoluble lumps of pigment are left out. If the paint feels too thin, you can thicken it by adding more chalk flour as needed. Different pigments react differently; some need more oil to dissolve than others. In general, heavy pigments dissolve in a smaller amount of oil than light dusting pigments. When making small batches, the pigments dissolve in a smaller amount of oil than light dusting pigments. RUBBING THE PIGMENT In manufacturing, rubbing the paint pigment is important. The pigments can be finely rubbed with the oil with a pigment grinder or a palette knife on top of the glass. At first, the paint rustles against the substrate. The paint is ready when the mixture is smooth. Rub only a little paint at a time. Add more oil to the paste and the paint is ready. The paint is applied in thin layers 2-5 times. The surface is allowed to dry between layers for 2-5 days.

Uula Indian red 1kg color powder

Indian red pigment Indian red pigment or color powder is suitable for tinting and manufacturing paint, decorative and fine art paintings, such as marbling, etching, patination and coloring concrete, lime mortar and lime paint. Pigments can also be used to color plaster, paper and cardboard. A binder is added to the pigments, which binds the paint and keeps it on the surface to be painted. The final result of the color depends on the amount of pigment used and the binder used for it. Pigments are used as binders, e.g. linseed oil, linseed oil, egg whites, glue, etc. Ground color pigments The earth colors found in pigments, such as ochre, terra and umber, are natural pigments that are very suitable for use in oil paints due to their light fastness and color strength. Umbras are iron oxides that are rich in manganese. The pigment is durable and has excellent light resistance. They can be combined with other pigments and are suitable for use with all binders. Iron oxide pigments are suitable for tinting concrete and mortar due to their good coloring. Ground color production is environmentally friendly. With genuine ground color pigments, beautiful and soft color shades can be created. SUITABILITY OF INDIAN RED PIGMENT Lightfastness: Good Water-based binders: Good Oil-based binders: Good Lime and cement: Good THE USE OF PIGMENTS FOR COLORING THE PAINT When tinting water-based paints, the pigment should first be mixed with a small amount of water, resulting in a so-called toning paste. The pigment is mixed with water so that the paste becomes smooth and quite thick. The finished paste is added to the paint until it is the desired shade. The proportion of pigment should not be more than 10% in the finished paint, because too much addition of pigment weakens the paint's ability to stick to its substrate and the paint may stain even when dry. So you cannot get very dark shades from white paint. The binder content of different paints varies, so the tinting is always specific to the paint. In tinting oil paints, the principle is the same as in tinting water-based paints, but the pigment is first mixed with either turpentine or boiled linseed oil (in varnish). General instruction OIL PAINT MADE BY YOURSELF FROM PIGMENTS FOR INTERIOR USE (approx. 1 liter) Self-made oil paint is suitable for restoring furniture and making oil glaze. By changing the amount of pigments, the coverage of the paint can be affected. 5 dl boiled linseed oil 1 dl general thinner about 500-700g of pigment, depending on the color 0.5 dl of serotonin The ingredients are measured in e.g. a three-liter container and mixed vigorously with a paint mixer attached to the drill for approx. 15 – 60 min, depending on the roughness of the pigments. Finally, the paint can be filtered, so that the insoluble lumps of pigment are left out. If the paint feels too thin, you can thicken it by adding more chalk flour as needed. Different pigments react differently; some need more oil to dissolve than others. In general, heavy pigments dissolve in a smaller amount of oil than light dusting pigments. When making small batches, the pigments dissolve in a smaller amount of oil than light dusting pigments. RUBBING THE PIGMENT In manufacturing, rubbing the paint pigment is important. The pigments can be finely rubbed with the oil with a pigment grinder or a palette knife on top of the glass. At first, the paint rustles against the substrate. The paint is ready when the mixture is smooth. Rub only a little paint at a time. Add more oil to the paste and the paint is ready. The paint is applied in thin layers 2-5 times. The surface is allowed to dry between layers for 2-5 days.

Uula white semi-matte wood floor paint

Uula Wood floor paint semi-matte, is a traditional floor paint for interior surfaces that need wear and durable paint. Wood floor paint is suitable for new and previously painted or varnished wooden floors, wood fiberboard floors and concrete floors in dry interiors. Also perfectly suited for painting furniture, doors and baseboards. Coverage: 10-12m2/litre. Drying time: Touch dry after 6 hours. Can be painted over after about a day. Hardening continues for another month, during which you should avoid dragging heavy objects and furniture along the floor surface to prevent scratching. Thinner: Uula General Thinner Shades: Can be tinted to the shades of the most common color charts. Please note, however, that due to the gloss level of the paint, tinting pastes, tinting machines and tinting methods, there may be differences in the shades. Technical information: Gloss level: semi-matt Made from natural resins and linseed oil alkyd, The solvent is an aromatic-free hydrocarbon solvent. VOC emissions below 300g/l. (EU VOC limit value 500g/l)

Uula mold protection

Uula Moldsuoja is a ready-to-use biocide-based cleaning and disinfection solution for outdoor use. The mold protection also acts as a preventive primer, slowing down the formation of possible mold and algae growths. Areas of use: Painted or unpainted wood, stone and plaster surfaces outdoors. Coverage: For a saw surface approx. 4-5m2/ l. For a planer surface approx. 7-8m2/ l. Drying time: About 1 h. Can be painted over after about a day, after the surface has dried. A surface treated with mold protection can be treated with all types of paints and surface treatments.

Uula Into C base 0.9 l furniture paint

Uula mailpoistoaine

A safe, almost odorless and effective way to remove old paint Up to nine layers of paint can be removed at a time The product is suitable for almost all interior and exterior surfaces

Uula 0.9l white door and window paint

Door and window paint is a traditional, well-leveling and easy-to-brush oil paint for surfaces that require durability. Applications include various wood and wood fiberboard surfaces indoors and in covered outdoor spaces, such as interior doors, frames, window frames, moldings and furniture. Suitable for previously painted metal surfaces, such as kilns. The paint is suitable as a restoration paint. Not suitable for painting exterior walls. Coverage: 10-12m2/litre. Drying time: Touch dry after 6 hours. Can be painted over after a day at the earliest. Thinner: Uula General Thinner Shades: Can be tinted to the shades of the most common color charts. Please note, however, that due to the gloss level of the paint, tinting pastes, tinting machines and tinting methods, there may be differences in the shades. Technical information: Gloss level: semi-glossy VOC emissions max 300g/l. (EU VOC limit value 300g/l (2010). Made from boiled linseed oil (verness), natural resins and color pigments. The solvent is an aromatic-free hydrocarbon solvent.

Uula white 2.7l kerosene oil paint

Petroleum oil paint is a plastic-free and breathable oil paint for untreated exterior wood surfaces previously painted with various oil or alkyd paints. Thanks to the good coverage, one generous coat of paint gives an even surface. The surface painted with petroleum oil paint fades beautifully. Thanks to the oxidizing binder, the paint film breathes as required by the wood. Moisture can evaporate through the paint and the paint will not peel off and the wood underneath will not rot. Made from boiled linseed oil and kerosene. Gloss level semi-matt Sufficiency: Rough sawn board approx. 5m2/ l. Finely sawn or old paint surface approx. 7m2/ l. Drying time : Dry to the touch after 1–3 days, depending on the conditions. Can be painted over after 3 days at the earliest. Thinner: Uula Oil Paint Thinner H412 Harmful to aquatic life, long-term adverse effects. H317 May cause an allergic skin reaction. EUH 066 Repeated exposure may cause skin dryness or cracking

Uula Green Umbra 1kg color powder

Green Umbra pigment Pigments, i.e. color powders, are suitable for tinting and manufacturing paint, decorative and fine art paintings, such as marbling, etching, patination, and coloring concrete, lime mortar and lime paint. A binder is added to the pigments, which binds the paint and keeps it on the surface to be painted. Pigments can also be used to color plaster, paper and cardboard. The final result of the color depends on the amount of pigment used and the binder used for it. Ground color pigments The earth colors found in pigments, such as ochre, terra and umber, are natural pigments that are very suitable for use in oil paints due to their light fastness and color strength. Umbras are iron oxides that are rich in manganese. The pigment is durable and has excellent light resistance. Umbras are not toxic pigments. They can be combined with other pigments and are suitable for use with all binders. Iron oxide pigments are suitable for tinting concrete and mortar due to their good coloring. Beautiful and soft color shades are obtained with genuine ground color pigments. SUITABILITY OF THE GREEN UMBRA Lightfastness: Good Water-based binders: Good Oil-based binders: Good Lime and cement: Good THE USE OF PIGMENTS FOR COLORING THE PAINT When tinting water-based paints, the pigment should first be mixed with a small amount of water, resulting in a so-called toning paste. The pigment is mixed with water so that the paste becomes smooth and quite thick. The finished paste is added to the paint until it is the desired shade. The proportion of pigment should not be more than 10% in the finished paint, because too much addition of pigment weakens the paint's ability to stick to its substrate and the paint may stain even when dry. So you cannot get very dark shades from white paint. The binder content of different paints varies, so the tinting is always specific to the paint. In tinting oil paints, the principle is the same as in tinting water-based paints, but the pigment is first mixed with either turpentine or boiled linseed oil (in its varnish). General instruction OIL PAINT MADE BY YOURSELF FROM PIGMENTS FOR INTERIOR USE (approx. 1 liter) Self-made oil paint is suitable for restoring furniture and making oil glaze. By changing the amount of pigments, the coverage of the paint can be affected. 5 dl boiled linseed oil 1 dl general thinner about 500-700g of pigment, depending on the color 0.5 d lserotin The ingredients are measured in e.g. a three-liter container and mixed vigorously with a paint mixer attached to the drill for approx. 15 – 60 min, depending on the roughness of the pigments. Finally, the paint can be filtered, so that the insoluble lumps of pigment are left out. If the paint feels too thin, you can thicken it by adding more chalk flour as needed. Different pigments react differently; some need more oil to dissolve than others. In general, heavy pigments dissolve in a smaller amount of oil than light dusting pigments. When making small batches, the pigments dissolve in a smaller amount of oil than light dusting pigments. RUBBING THE PIGMENT In manufacturing, rubbing the paint pigment is important. The pigments can be finely rubbed with the oil with a pigment grinder or a palette knife on top of the glass. At first, the paint rustles against the substrate. The paint is ready when the mixture is smooth. Rub only a little paint at a time. Add more oil to the paste and the paint is ready. The paint is applied in thin layers 2-5 times. The surface is allowed to dry between layers for 2-5 days.

Uula white 0.9l kerosene oil paint

Uula white 9 l kerosene oil paint

Petroleum oil paint is a plastic-free and breathable oil paint for untreated exterior wood surfaces previously painted with various oil or alkyd paints. Thanks to the good coverage, one generous coat of paint gives an even surface. The surface painted with petroleum oil paint dulls beautifully. Thanks to the oxidizing binder, the paint film breathes as required by the wood. Moisture can evaporate through the paint and the paint will not peel off and the wood underneath will not rot. Made from boiled linseed oil and kerosene. Gloss level semi-matt Sufficiency: Rough sawn board approx. 5m2/ l. Finely sawn or old paint finish approx. 7m2/ l. Drying time : Dry to the touch after 1–3 days, depending on the conditions. Can be painted over after 3 days at the earliest. Thinner: Uula Oil Paint Thinner H412 Harmful to aquatic life, long-term adverse effects. H317 May cause an allergic skin reaction. EUH 066 Repeated exposure may cause skin dryness or cracking

Uula 2.7l white interior oil paint

Matt Interior oil paint is an oil primer for wall and ceiling surfaces for indoor use, the porosity of which makes the paint surface particularly breathable. The paint is suitable for unpainted and previously painted wood, board and stone surfaces. Not suitable for door and window frames or floors. Does not necessarily require a separate surface painting. Coverage: 6-8m2/litre. Drying time: Dry to the touch after about 1 day. Can be painted over after about 2 days. Thinner: Uula General Thinner Colors: White. Can be tinted Uula Traditional color to pale shades. It is essential for oil paints that light shades may turn yellow in the dark, so this should be taken into account when choosing shades. Always choose a color shade in the lighting and space it will be in. Lighting and the gloss level of the paint affect color perception. Technical information: VOC emissions below 350g/liter The binder is boiled linseed oil (in varnish) and the solvent is an aromatic-free hydrocarbon solvent.

Uula Liitujauho 1kg flour

Chalk flour is suitable for the production of paints and putty and as a filler for paints. If the paint feels too thin, you can thicken it by adding chalk flour. SUITABILITY OF CHALK FLOUR Lightfastness: Good Water-based binders: Good Oil-based binders: Good Lime and cement: Not recommended THE USE OF PIGMENTS FOR COLORING THE PAINT When tinting water-based paints, the pigment should first be mixed with a small amount of water, resulting in a so-called toning paste. The pigment is mixed with water so that the paste becomes smooth and quite thick. The finished paste is added to the paint until it is the desired shade. The proportion of pigment should not be more than 10% in the finished paint, because too much addition of pigment weakens the paint's ability to stick to its substrate and the paint may stain even when dry. So you cannot get very dark shades from white paint. The binder content of different paints varies, so the tinting is always specific to the paint. In tinting oil paints, the principle is the same as in tinting water-based paints, but the pigment is first mixed with either turpentine or boiled linseed oil (in varnish). General instruction OIL PAINT MADE BY YOURSELF FROM PIGMENTS FOR INTERIOR USE (approx. 1 liter) Self-made oil paint is suitable for restoring furniture and making oil glaze. By changing the amount of pigments, the coverage of the paint can be affected. 5 dl boiled linseed oil 1 dl general thinner about 500-700g of pigment, depending on the color 0.5 dl of serotonin The ingredients are measured in e.g. a three-liter container and mixed vigorously with a paint mixer attached to the drill for approx. 15 – 60 min, depending on the roughness of the pigments. Finally, the paint can be filtered, so that the insoluble lumps of pigment are left out. If the paint feels too thin, you can thicken it by adding more chalk flour as needed. Different pigments react differently; some need more oil to dissolve than others. In general, heavy pigments dissolve in a smaller amount of oil than light dusting pigments. When making small batches, the pigments dissolve in a smaller amount of oil than light dusting pigments. RUBBING THE PIGMENT Rubbing the paint pigment is important in production. The pigments can be finely rubbed with the oil with a pigment grinder or a palette knife on top of the glass. At first, the paint rustles against the substrate. The paint is ready when the mixture is smooth. Rub only a little paint at a time. Add more oil to the paste and the paint is ready. The paint is applied in thin layers 2-5 times. The surface is allowed to dry between layers for 2-5 days.

Uula B base linseed oil paint

Linseed oil paint is a plastic-free, breathable and ecological paint for new and previously painted exterior wood surfaces. Suitable for untreated or previously painted exterior wood surfaces with various oil and alkyd paints, e.g. for painting exterior walls, doors, window frames and furniture. A surface painted with linseed oil paint allows moisture to escape, so the wood is not damaged or rots under the paint. Efficiency: Planing surface 10-15 m2/liter. Sawn area 8-12 m2/ liter with one coat. Drying time : Dry to the touch after about 2-3 days. Can be painted over after 4 days at the earliest. Thinner: Uula Oil Paint Thinner Color shades: Can be tinted to several shades of the Uula Traditional color chart and other most common color charts. Tinted with Uula tinting pastes made from genuine pigments. TECHNICAL INFORMATION A user-safe natural product made from boiled linseed oil (varnish) and genuine pigments. VOC emissions below 80g/l. (EU VOC limit value 300g/l (2010). H412 Harmful to aquatic organisms, long-term adverse effects. H317 May cause an allergic skin reaction.

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